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Thursday, October 15, 2026
ReportCurrent UK

Dance Star Matthew Ball on Grueling Roles and Online Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly straight-backed, his arms defined beneath a simple white T-shirt. On stage, dancers can appear as mighty gods, yet frequently offstage they are petite. This is not true for Ball, whose height is part of his popularity for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his childhood interest in ballet. Joining the esteemed training institution at 11, he moved directly into the troupe and was advanced annually, reaching the highest position of principal in 2018. He has relished tackling substantial characters, especially the psychological turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring role is in a talk, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will walk the audience through a part, showing his mental process during execution. Yet in lighter works, the challenge is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and After the Show Emotions

How does he feel after a performance, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious later. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker previously remarked on a "sense of suffering in him." Does this exist? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Creative Inspirations

Ball's tenacity stemmed from youthful experiences. Not doing well in competitions at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.

An upcoming endeavor is creating his own choreography. For Ball, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from books, music, and art.

Intimate Performance and Private Partnership

He also is interested in presenting dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On social media, fans can see videos from his projects and images that showcase a sculpted physique. Does he care that the engagement can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—something that can be interpreted on various levels.

Ball characterizes his younger self as "eager for success." Did it met his expectations? "I am conscious of how reality is a different reality to the dreams you had as a child," he reflects. He likely has about ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."

About the author

Eric Ramsey

A seasoned journalist with over a decade of experience covering UK politics and international relations, known for her sharp analysis and investigative reporting.

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